Madelin Tabar was a guest on “Waraqa Bayda” with host Yomna Badrawi on Al-Nahar channel, sharing insights into her personal and professional journey 🎬💫.

She described her career start: “The film El Tareeq Ela Eilat was a pivotal moment as it opened new doors and I met Mohamed Saad. After the success of the film, I faced obstacles when establishing my company; it was stolen and I disappeared for 5 years. Returning, I found the art world had changed completely” 🕰️💔.

Regarding Egyptian citizenship, she stated: “I feel deeply connected to Egypt, and not having citizenship hasn’t affected my love for my country; it’s endless” 🇪🇬❤️.

Madelin also revealed turning down many roles despite needing income, mentioning she still lives in a rented house, and declined a project with Mohamed Henedy 💬🏠.

Currently, she is filming “Ana W Howa W Homa”, starring Nesreen Tafesh, which is diverse and will air in Ramadan 2026 🌙✨.

On Mohamed Sami, she commented: “A talented writer, but tends to write the same structure; endings are often predictable. I admired Esh Esh series, but I hear he’s very strict on set” 🎬📌.

About Mona Shalaby: “She has articulation issues, but she tries to overcome them. I don’t blame her alone; many face the same problem” 🗣️.

Reflecting on her childhood, she said: “My father was strict; I married early and divorced after 7 years,” and sent support to director Enas El Deghedy: “I support her decision, may God bless her, as she sought love and companionship” 💕👩‍👧.

Regarding beachwear, Madelin gave a bold statement: “Girls wearing burkinis are harming themselves, feeling psychologically and physically restricted, it’s like being trapped inside a rubber suit. I wish they would choose freedom and comfort” 🩱⚡.

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