Assil Bahir Responds to “Zanaqi El-Ezz” Filming Debate: Libyan Identity Shines Through Every Scene

Zanaqi El-Ezz” sparks discussion for its portrayal of Libyan society, and Assil Bahir emphasizes that filming in Egypt did not diminish its Libyan identity, but enhanced the production and artistic quality

  Sat , March 14 2026 / 02:32 PM Updated At: 2026-03-14 14:32:49

The series “Zanaqi El-Ezz” has generated widespread discussion since its premiere, with praise for its social message and some criticism regarding filming location, lighting, and set design. 🎭🖌️

Actor Assil Bahir stated that the show represents an important and unique experience in Libyan drama, focusing on everyday life in Libyan streets, social struggles, and the challenges faced by ordinary people. 🏙️💫

He highlighted that the cast includes top Libyan actors, such as Khadouja Sabri, Fathi Kahlool, and Salah Al-Ahmar, adding diversity and artistic expertise, and emphasized that collaboration with Arab artists enriched the production. 🌟🎬

Responding to criticism about filming in Egypt, Bahir explained:
"Filming in Egypt was a purely production-related decision due to the availability of studios and equipment needed to present the series at its best. The Libyan identity remains in the script, characters, and dialect—it’s what truly shapes the spirit of the work, not the location." ⚡🇱🇾

He praised director Mohamed Al-Zlitni and writer Abdel Muhaymin Wali for their efforts in creating a distinct dramatic vision reflecting Libyan social issues realistically and impactfully. ✨🎥

Regarding audience feedback, Assil stated that criticism is part of any artistic journey, emphasizing the ultimate goal: delivering Libyan drama that competes regionally and globally. 🌍🎭

Additionally, he announced his participation in the seventh season of the popular Libyan comedy series “Sayir Sayir”, noting strong audience engagement and how this comedic approach reflects reality in an entertaining and relatable way. 😂💛

💬 Social Boost Moment:
What do you think about modern Libyan drama? Can it compete with Arab productions? Share your thoughts 👇✨
How can drama effectively reflect social reality while remaining engaging? 🎬💡

 

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