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Music Professor Responds to Nayer Nagui’s Comments: “Musicians Do Not Mock or Carve in the Studio”

Sat , September 12 2026 / 06:57 PM By: Misr Connect 4 min read
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الأستاذ الدكتور محمد عبد الله يرد على تصريحات المايسترو ناير ناجي حول الموسيقيين

Professor Mohamed Abdullah, a music theory and composition professor at Capital University, expressed reservations about comments made by maestro Nayer Nagui and stressed the importance of accuracy when discussing musicians.

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Professor Mohamed Abdullah, a professor of music theory and composition at Capital University, expressed strong reservations about several expressions and ideas mentioned by maestro Nayer Nagui during his appearance on the podcast “Hewarāt Ma’a Abbas”.

Abdullah stressed that professionals discussing musicians in front of the public should be more precise and careful, particularly when their comments could affect the professional image and dignity of musicians.

Music Professor Criticizes Some of Nayer Nagui’s Comments

Professor Mohamed Abdullah explained that his reservations concern several expressions and ideas raised by Nayer Nagui during the podcast appearance.

He emphasized that discussions about the music profession in front of audiences require careful wording, particularly when describing musicians and their professional roles.

According to Abdullah, conversations about music and musicians should reflect an accurate understanding of the nature of musical work and avoid expressions that could be interpreted as diminishing the value of the profession or the effort made by those working in it.

“Musicians Do Not Mock or Carve in the Studio”

Abdullah’s position came in response to what he viewed as expressions that required greater precision when describing the work of musicians.

He stressed that musicians have a clear artistic and professional role, and that discussions about their work should take into account the nature and status of the profession.

The discussion also highlights the importance of carefully addressing music-related professions in front of the public, particularly when comments come from figures working within the same field.

Protecting the Professional Image of Musicians

Abdullah also emphasized the responsibility of music professionals to present an accurate image of musical work and to discuss its practices in a way that respects the standing of musicians.

His comments open a broader discussion about how musical work is presented in podcasts, interviews and digital programs, and the importance of using accurate language that reflects the nature of the profession and the artistic effort behind musical productions.

The discussion continues to attract attention among followers, particularly because it addresses the nature of musical work and the public image of musicians at a time when artists and music professionals have an increasingly visible presence across podcasts, digital platforms and entertainment programs.

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